About printing
How INPhotography prints are made — giclée technology, archival paper, color calibration and manual inspection.
Selected works, printed on demand on archival fine-art paper, with long-lasting pigment inks.
Sizes & materials
- Dimensions: A3 (30×42 cm), A2 (42×60 cm), 50×70 cm, 70×100 cm or custom (panoramic, 60×60 square, etc.)
- Paper: cotton matte (textured, deep tones) or Baryta (glossy, higher contrast)
- Optional finishing: glass mount, natural wood or black aluminum frame
Available editions
Open Edition — permanently available, unnumbered. Printed to order in the chosen size.
Limited Edition — numbered series (5–25 copies), hand-signed with certificate of authenticity. Once sold out, the work is no longer reprinted in that format.
Every INPhotography print is made to order with gallery-grade attention to quality.
Giclée technology Pigment-based inks on calibrated professional printers, not consumer-grade photographic printing. Ink is absorbed into the paper’s structure rather than sitting on the surface.
Archival paper 100% cotton or acid-free alpha-cellulose, pH-neutral, with no optical brightening agents. Substrates chosen for longevity and faithful tonal rendering.
Longevity Over 100 years of color stability under indirect light, in normal display conditions (per pigment ink manufacturer estimates).
Color calibration Each print is verified on a hardware-calibrated monitor using ICC profiles specific to the chosen paper, for maximum fidelity to the original vision.
Manual inspection Every copy is reviewed before shipping; flawed prints are discarded.
Test print On request, I can provide a test print (A4 or A3, unframed) so you can evaluate the paper and rendering before placing the final order — particularly recommended for large formats or for decoration projects involving several prints in the same tonal range.